Maria Buszek is the Inaugural Speaker at the International Center for Photography’s Series, Dismantling the Gaze
Art Historian Examines Gendered Nature of Art-Making, Art-Viewing, and “The Male Gaze"
CAM Communications | The College of Arts & Media Feb 9, 2019
July 18, 2018- Maria Elena Buszek, Ph.D., associate professor of Art History at the University of Colorado Denver spoke at the International Center for Photography (ICP) launch of Dismantling the Gaze, a series which considers looking, power, and visual culture in the #MeToo moment.
Buszek shared hundreds of years of visual culture in one brief presentation that concisely illustrates the gendered power structures deeply embedded in cultural production to a standing room only crowd in New York City.
At CU Denver, Buszek teaches modern and contemporary art in the Visual Arts Department. Her recent publications include the books Pin-Up Grrrls: Feminism, Sexuality, Popular Culture (Duke University Press Books, 2006) and Extra/Ordinary: Craft and Contemporary Art (Duke, 2011). She has also contributed writing to numerous international exhibition catalogues and scholarly journals: most recently, essays in Dorothy Iannone: Censorship and the Irrepressible Drive Toward Divinity and Mark Mothersbaugh: Myopia, and Andrea Bowers. Buszek has also been a regular contributor to the popular feminist magazine BUST since 1999. Her current book project, Art of Noise, explores the ties between contemporary activist art and popular music.
Buszek shared hundreds of years of visual culture in one brief presentation that concisely illustrates the gendered power structures deeply embedded in cultural production to a standing room only crowd in New York City.
At CU Denver, Buszek teaches modern and contemporary art in the Visual Arts Department. Her recent publications include the books Pin-Up Grrrls: Feminism, Sexuality, Popular Culture (Duke University Press Books, 2006) and Extra/Ordinary: Craft and Contemporary Art (Duke, 2011). She has also contributed writing to numerous international exhibition catalogues and scholarly journals: most recently, essays in Dorothy Iannone: Censorship and the Irrepressible Drive Toward Divinity and Mark Mothersbaugh: Myopia, and Andrea Bowers. Buszek has also been a regular contributor to the popular feminist magazine BUST since 1999. Her current book project, Art of Noise, explores the ties between contemporary activist art and popular music.
Tags:
Art History
gender
Maria Buszek
visual culture