Publications and Presentations

SELECTED PUBLICATIONS:

BOOKS:
Co-editor (with Hilary Robinson), A Companion to Feminist Art. Oxford, UK and Malden, MA: Wiley Blackwell Companions to Art History series, 2019.

Extra/ordinary: Craft and contemporary art. Durham, NC: Duke University Press, 2011.

Pin-Up Grrrls: Feminism, Sexuality, Popular Culture. Durham, NC and London: Duke University Press, 2006.

BOOK CHAPTERS, EXHIBITION CATALOGUES, AND ARTICLES:

“‘We were living the video revolution’: An interview with Emily Armstrong and Pat Ivers, Punk & Post-Punk Journal 10, no. 3 (December 2021): 487-501.

“Ladies’ Auxiliary of the Lower East Side: Post-Punk Feminisms in New York City,” Punk & Post-Punk Journal 9, no. 3 (2020): 425-442.

“’Fantasies and Dissonance’: An Interview with Anne Bean,” Flash Art International #328 (November 2019-January 2020): 88-95.

“Great Offender and Realist Criminal,” in Caroline Coon: The Great Offender. London and New York: Tramps Gallery, 2019.

“CLOTHES CLOTHES CLOTHES PUNK PUNK PUNK WOMEN WOMEN WOMEN,” in Design History Beyond the Canon, edited by Jennifer Kaufmann-Buhler, Victoria Pass, and Christopher Wilson. London: Bloomsbury Academic, 2019.

“’The Great Offender:’ An interview with Caroline Coon,” Punk & Post-Punk Journal 8, No. 1 (March 2019): 137-149.

“Women Consumers of Pin-Ups” in The History of Illustration, edited by Susan Doyle, Jaleen Grove, and Whitney Sherman. London: Bloomsbury, 2018.

“Media, Process, History: Craft Beyond Crafting,” in Nation Building: Craft and Contemporary American Culture, edited by Nicholas Bell. Washington, DC and London: The Renwick Gallery of the Smithsonian Museum of American Art/Bloomsbury, 2015.

“Punk-Rock Futurist,” in Mark Mothersbaugh: Myopia. New York, NY: Princeton Architectural Press, 2014.

“The Next Great Moment in History is Hers,” in Dorothy Iannone: Censorship and the Irrepressible Drive Toward Divinity. Zurich: Migros Museum für Gegenwartskunst and JRP-Ringier, 2014.

“Radical Patience: The Work of Andrea Bowers,” in Andrea Bowers. Claremont, CA: Pomona College Museum of Art, 2014.

“Workt by Hand: Roundtable Discussion,” in Workt by Hand: Hidden Labor and Historical Quilts, edited by Catherine Morris. Brooklyn, NY: Brooklyn Museum of Art, 2013.

“Eros and Thanatos: Surrealism’s legacy in contemporary feminist art,” In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States. Munich: Prestel, 2012. (See museum websites for the exhibition’s run at LACMA, Musee National des Beaux-Arts, Quebec, and Museo de Arte Moderno, Mexico City)

“’Her Life Was Saved by Rock and Roll’: Toward a feminist punk ethic/aesthetic,” in Punkademics, edited by Zack Furness. Brooklyn, NY: Minor Compositions/Autonomedia, 2012.

“’Necessary Positions’ in Feminist Art: A Conversation (Suzanne Lacy, Andrea Bowers, Maria Elena Buszek)” Art Journal 71, no. 1 (Spring 2012): 138-150.

“Labor is My Medium: Some perspective(s) on contemporary craft,” Archives of American Art Journal 50, no. 3-4 (2012): 66-75.